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Thirty-first Issue
Volume 13, No. 2
 

...letters

Re: Review Of the Riot That Never Was

Re: Review Of the Riot That Never Was, Response To James Jackson



features

Global Warring
By Michael Carbert

The Sentimentalists
By Claire Holden Rothman


fiction

Market Day
Reviewed by Lori Callaghan

Objects Of Worship
Reviewed by Vanessa Bonneau

The Jihadist
Reviewed by Correy Baldwin

Unwanted Hopeless Romantic Morons
Reviewed by Correy Baldwin

Wednesday Night At The End Of The World
Reviewed by Michael Varga


fiction at a glance

Josephine The Singer Or The Nation Of The Mice
Reviewed by Vanessa Bonneau


non-fiction

Afghanistan And Canada
Reviewed by Franc Gagnon

Encounters On The Passage: Inuit Meet The Explorers
Reviewed by Raquel Rivera

Growing With Canada: The Émigré Tradition In Canadian Music
Reviewed by Brian McMillan

Italy Revisited: Conversations With My Mother
Reviewed by Gina Roitman

Montreal Confidential
Reviewed by Dimitri Nasrallah

My Beloved Wager
Reviewed by Anna Leventhal

Selling Out
Reviewed by Eric Boodman

The Empire Within: Postcolonial Thought And Political Activism In Sixties Montreal
Reviewed by Eric Shragge

The Riot That Never Was: The Military Shooting Of Three Montrealers In 1832 And The Official Cover-up
Reviewed by Kate Forrest

Wild Geese: Buddhism In Canada
Reviewed by Sarah Fletcher


non-fiction at a glance

Every Goodbye Ain`t Gone: A Photo Narrative Of Black Heritage On Salt Spring Island
Reviewed by Mélanie Grondin

Paths Of Opportunity
Reviewed by Aparna Sanyal



poetry

Bhagavad Goalie
Reviewed by Ian McGillis

Blue Poppy
Reviewed by Dr. Bert Almon

Cast From Bells
Reviewed by Dr. Bert Almon

Pause For Breath
Reviewed by Dr. Bert Almon

Taproot Iv: Poetry, Prose And Images From The Eastern Townships
Reviewed by Mélanie Grondin

The Certainty Dream
Reviewed by Dr. Bert Almon

The Crow's Vow
Reviewed by Dr. Bert Almon



young readers

Camp Fossil Eyes
Reviewed by Andrea Belcham

Chester`s Masterpiece
Reviewed by Andrea Belcham

Here Comes The Bride
Reviewed by Andrea Belcham

Human Nature
Reviewed by Andrea Belcham

Somewhere In Blue
Reviewed by Andrea Belcham

The Archeolojesters
Reviewed by Andrea Belcham

Topsy-turvy Town
Reviewed by Andrea Belcham

When Stella Was Very, Very Small
Reviewed by Andrea Belcham




Wild Geese: Buddhism In Canada
Edited By John S. Harding, Victor S. Hori And Alexander Soucy
$29.95
paper 464 pp.
McGill-Queen`s University Press ISBN 978-0-7735-3667-8

Reviewed from galleys.
non-fiction

Wild Geese: Buddhism in Canada
Om Canada

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New Document When does casual bedside reading qualify as legitimate Buddhist practice? How should devout spiritual practitioners who resolutely refuse to identify with an institutional label be classified? Is there any value in distinguishing between Western converts to Buddhism and native Asian practitioners? These are some of the questions raised in Wild Geese: Buddhism in Canada, a collection of 15 scholarly essays edited by John S. Harding, Victor S. Hori, and Alexander Soucy.

Hori skillfully presents the "us" and "them" mentality of Western convert versus Asian ethnic Buddhist as a fallacious dichotomy that grows more complex as subsequent generations of Buddhists become integrated into Western culture. Hori perceptively notes that many Western converts to Buddhism raise "dharma brats," whereas many third-generation Chinese immigrants do not practice Buddhism at all. The question translates further into religious devotion and consistency. The Western "night-stand Buddhist" sits up late reading Pema Chödrön and Chögyam Trungpa. More committed practitioners may jump from one tradition to another, attending Zen meditation sessions one week, meeting with a Theravada teacher the following week, and reading literature from the Dalai Lama the next.

Several essays address these diverse Buddhist traditions across Canada, mapping their spread across the provinces and the ways in which they intersect. Terry Watada traces the lineage of Buddhism in Canada from its Japanese roots going back to 1905, when Buddhism was regarded with suspicion and intolerance, to the blow taken by the Japanese Buddhist population during World War II, up to the present day. Traditions covered include Jodo Shinshu, Shambhala, Fo Guang Shan, Lao, and the more popular Tibetan and Zen forms. The anthology often highlights the two-way cultural exchange between East and West and the evolution of Buddhism on both sides of the globe. The distinction may be best expressed as one not of race or immigration or language, but of practice.

Canadian Zen Buddhism, for instance, emphasizes meditation, traditionally a less prominent part of the practice, and downplays the customary importance of karma and rebirth. Many subjects interviewed for Patricia Campbell's Zen article engaged in "religious shopping." Peter, a fifty-six year old librarian, says, "most accomplished Buddhists or authorities will say: choose a tradition or choose a practice and follow it. But what I've been doing over the last several years is picking and choosing, finding what works for me and following that." The result is a pastiche of religious traditions that may ultimately dilute the power of discrete religious association in favour of an amorphous, continuously evolving Buddhist tradition.

The final chapters on spiritual leader Albert Low - who now heads the Montreal Zen Centre - and practitioner Suwanda H.J. Sugunasiri will appeal more to the non-scholarly reader. They present a tangible, concrete face to Buddhism and fit into a coherent narrative structure. The winding road of Low's spiritual crises and breakthroughs makes for a less formal, more compelling portrait of Buddhist spiritual life in Canada, and Sugunasiri's life story serves as "a prism through which the history of Buddhism in Canada comes into focus."

There's a lot to digest in a dense 400-page compilation. For the casual reader seeking a better understanding of Buddhism, the anthology brings more questions than answers. Wild Geese critically deconstructs the concepts presently applied to Buddhism in the West and builds a foundation for further study. The anthology ties the culture of Buddhism in Canada to the international evolution of Buddhism. As a sweeping, if not comprehensive, analysis of the Buddhist institutions in Canada, and a call to elucidate issues standing in the way of further research, it is a fine start to a burgeoning field of study.


Sarah Fletcher is a regular contributor to Rover Arts and works as a copywriter and web marketing specialist in Montreal.



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