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Thirty-first Issue
Volume 13, No. 2
 

...letters

Re: Review Of the Riot That Never Was

Re: Review Of the Riot That Never Was, Response To James Jackson



features

Global Warring
By Michael Carbert

The Sentimentalists
By Claire Holden Rothman


fiction

Market Day
Reviewed by Lori Callaghan

Objects Of Worship
Reviewed by Vanessa Bonneau

The Jihadist
Reviewed by Correy Baldwin

Unwanted Hopeless Romantic Morons
Reviewed by Correy Baldwin

Wednesday Night At The End Of The World
Reviewed by Michael Varga


fiction at a glance

Josephine The Singer Or The Nation Of The Mice
Reviewed by Vanessa Bonneau


non-fiction

Afghanistan And Canada
Reviewed by Franc Gagnon

Encounters On The Passage: Inuit Meet The Explorers
Reviewed by Raquel Rivera

Growing With Canada: The Émigré Tradition In Canadian Music
Reviewed by Brian McMillan

Italy Revisited: Conversations With My Mother
Reviewed by Gina Roitman

Montreal Confidential
Reviewed by Dimitri Nasrallah

My Beloved Wager
Reviewed by Anna Leventhal

Selling Out
Reviewed by Eric Boodman

The Empire Within: Postcolonial Thought And Political Activism In Sixties Montreal
Reviewed by Eric Shragge

The Riot That Never Was: The Military Shooting Of Three Montrealers In 1832 And The Official Cover-up
Reviewed by Kate Forrest

Wild Geese: Buddhism In Canada
Reviewed by Sarah Fletcher


non-fiction at a glance

Every Goodbye Ain`t Gone: A Photo Narrative Of Black Heritage On Salt Spring Island
Reviewed by Mélanie Grondin

Paths Of Opportunity
Reviewed by Aparna Sanyal



poetry

Bhagavad Goalie
Reviewed by Ian McGillis

Blue Poppy
Reviewed by Dr. Bert Almon

Cast From Bells
Reviewed by Dr. Bert Almon

Pause For Breath
Reviewed by Dr. Bert Almon

Taproot Iv: Poetry, Prose And Images From The Eastern Townships
Reviewed by Mélanie Grondin

The Certainty Dream
Reviewed by Dr. Bert Almon

The Crow's Vow
Reviewed by Dr. Bert Almon



young readers

Camp Fossil Eyes
Reviewed by Andrea Belcham

Chester`s Masterpiece
Reviewed by Andrea Belcham

Here Comes The Bride
Reviewed by Andrea Belcham

Human Nature
Reviewed by Andrea Belcham

Somewhere In Blue
Reviewed by Andrea Belcham

The Archeolojesters
Reviewed by Andrea Belcham

Topsy-turvy Town
Reviewed by Andrea Belcham

When Stella Was Very, Very Small
Reviewed by Andrea Belcham




The Riot That Never Was: The Military Shooting Of Three Montrealers In 1832 And The Official Cover-up
James Jackson
$29.95
paper 360 pp.
Baraka Books ISBN 978-0-981240558
non-fiction

The Riot that Never Was: The Military Shooting of Three Montrealers in 1832 and the Official Cover-up
True Patriote Love

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New Document "History will record that the criminal instigators to riot and bloodshed … had the shameless effrontery … to attempt to poison and pervert the minds of illiterate multitudes, to cover their own iniquity, and cast the blame of blood from their own guilty heads upon the official defenders of the laws and the peace of society."

Such was the accusation levelled by one newspaper editor at the Patriotes, a political party in Lower Canada (present-day Quebec), and one of its prominent members, Irish-born journalist Daniel Tracey. Tracey won a by-election with a slim margin in May 1832. When the polls closed on May 21, Patriote supporters started a riot in the Place d'Armes, and British troops opened fire on the crowd, killing three people. The author of the above passage had no doubt that the Patriotes, as the instigators of the riot, were to blame for the deaths.

In The Riot that Never Was, James Jackson disputes this interpretation, arguing that the skirmishes and celebratory outbursts in the square that day simply did not add up to a riot. He makes the case that the magistrates who ordered troops to fire were hoping to control the outcome of the election with their show of force. Relying primarily on government journals and newspaper editorials, Jackson describes the final day of voting in exhaustive detail and scrutinizes the testimony of dozens of witnesses in the subsequent 14-month inquiry.

His argument is persuasive: it seems likely that the authorities' reaction to post-electoral excitement was out of proportion to the danger posed, and that they were eager to put Patriote supporters in their place. On the other hand, it does not seem implausible that the magistrates, already predisposed to view Tracey's supporters as unruly members of the lower classes, genuinely saw the situation as explosive. The Patriotes had been pushing for democratic reforms for some time, and the ruling class may well have felt threatened by the groundswell of support for Tracey. Indeed, five years later tensions erupted in a rebellion led by the Patriotes. Whatever the magistrates' motivations, their actions had an unintended polarizing effect.

Unfortunately, Jackson shows little inclination to situate this incident in a historical context. In a provocative introduction, he notes that he "avoided wider historiographical issues surrounding the events of May 21 such as the nature of civil-military relations at the time, their impact on society and political life, the role of ethnicity in what happened and the use made of public space. Instead, I have concentrated on events rather than on theory."

He is true to his word, rarely stepping back from the day in question to look at the bigger picture. For anyone not well-versed in Quebec history, this is likely to cause some frustration. Even a brief discussion of attitudes to colonial power, the emergence of the Patriote movement, or the ethnic divisions that marked Montreal society would help to orient the reader. Instead, Jackson dives into a sea of names and details, leaving the unsuspecting reader to breathlessly sort out which ones are important to retain.

He spends even less time analyzing the repercussions of the event. In the final paragraph of the book, he notes that the shootings and their aftermath radicalized some Patriotes, paving the way for "the events of 1837 and 1838." This confusingly vague reference to the Patriotes' rebellion deserves to be developed and explored, but instead it serves as a closing statement. Jackson is engaging as a sleuth, but he focuses his investigative lens so narrowly that he may fail to convince readers of the broader significance of a seemingly minor historical episode.

Kate Forrest is a Montreal writer, translator and reviewer. See James' Jackson's response to this review and Kate Forrest's reply in the Letters section.



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