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Thirty-first Issue
Volume 13, No. 2
 

...letters

Re: Review Of the Riot That Never Was

Re: Review Of the Riot That Never Was, Response To James Jackson



features

Global Warring
By Michael Carbert

The Sentimentalists
By Claire Holden Rothman


fiction

Market Day
Reviewed by Lori Callaghan

Objects Of Worship
Reviewed by Vanessa Bonneau

The Jihadist
Reviewed by Correy Baldwin

Unwanted Hopeless Romantic Morons
Reviewed by Correy Baldwin

Wednesday Night At The End Of The World
Reviewed by Michael Varga


fiction at a glance

Josephine The Singer Or The Nation Of The Mice
Reviewed by Vanessa Bonneau


non-fiction

Afghanistan And Canada
Reviewed by Franc Gagnon

Encounters On The Passage: Inuit Meet The Explorers
Reviewed by Raquel Rivera

Growing With Canada: The Émigré Tradition In Canadian Music
Reviewed by Brian McMillan

Italy Revisited: Conversations With My Mother
Reviewed by Gina Roitman

Montreal Confidential
Reviewed by Dimitri Nasrallah

My Beloved Wager
Reviewed by Anna Leventhal

Selling Out
Reviewed by Eric Boodman

The Empire Within: Postcolonial Thought And Political Activism In Sixties Montreal
Reviewed by Eric Shragge

The Riot That Never Was: The Military Shooting Of Three Montrealers In 1832 And The Official Cover-up
Reviewed by Kate Forrest

Wild Geese: Buddhism In Canada
Reviewed by Sarah Fletcher


non-fiction at a glance

Every Goodbye Ain`t Gone: A Photo Narrative Of Black Heritage On Salt Spring Island
Reviewed by Mélanie Grondin

Paths Of Opportunity
Reviewed by Aparna Sanyal



poetry

Bhagavad Goalie
Reviewed by Ian McGillis

Blue Poppy
Reviewed by Dr. Bert Almon

Cast From Bells
Reviewed by Dr. Bert Almon

Pause For Breath
Reviewed by Dr. Bert Almon

Taproot Iv: Poetry, Prose And Images From The Eastern Townships
Reviewed by Mélanie Grondin

The Certainty Dream
Reviewed by Dr. Bert Almon

The Crow's Vow
Reviewed by Dr. Bert Almon



young readers

Camp Fossil Eyes
Reviewed by Andrea Belcham

Chester`s Masterpiece
Reviewed by Andrea Belcham

Here Comes The Bride
Reviewed by Andrea Belcham

Human Nature
Reviewed by Andrea Belcham

Somewhere In Blue
Reviewed by Andrea Belcham

The Archeolojesters
Reviewed by Andrea Belcham

Topsy-turvy Town
Reviewed by Andrea Belcham

When Stella Was Very, Very Small
Reviewed by Andrea Belcham




Selling Out
Howard Woodhouse
$39.95
cloth 350 pp.
McGill-Queen`s University Press ISBN 978-0-7735-3580-0
non-fiction

Selling Out
Shakespeare Versus Shareholders

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Academics just can't seem to get it right.

In Gulliver's Travels, Jonathan Swift ridiculed how removed their pursuits were from daily life. He depicted them as so caught up in the abstract that they couldn't walk or talk without having a "flapper" remind them of the task at hand with a smack on the face. He also mocked their areas of interest by inventing some of his own, such as "extracting sunbeams out of cucumbers" and reconstructing food from excrement.

Yet now, almost three hundred years later, academia is under fire for doing exactly the opposite. Instead of delving into the arcane, many universities are pandering to the needs of big business in order to turn a profit.

The question is: which is worse? Alienating the taxpaying - and university- supporting - public with inaccessible research or prioritizing applied research because it pays the rent?

From the title of his new book Selling Out, it is clear where Howard Woodhouse stands. Before presenting his arguments against corporate meddling in higher education, he demonstrates how tight the relationship between companies and academia actually is. He is rightly disgusted when he hears Dr. Tom Brzustowski, Ontario's deputy minister of colleges and universities, say that "the one global object of education in Ontario must necessarily be a greater capability of the people of Ontario to create wealth."

Woodhouse, co-director of the University of Saskatchewan Process Philosophy Research Unit, is concerned about the way many universities are currently adopting the market model by partnering with companies which, in exchange for financial support, dictate instructional approach and the direction of research programs. This arrangement means that the company gets the patent for whatever idea emerges from professors' research.

As Woodhouse points out, there is an inherent contradiction between the goals of companies and those of universities. While universities seek "knowledge [which] is itself a public good whose value is realized through its being shared," companies can only generate wealth by owning the ideas. He goes on to defend the idea of an education system free of corporate puppeteers, exposing the problems posed by the market model through theoretical analyses as well as concrete examples taken from Canadian universities. While the conventional idea today is that the market model is the way of the future, Woodhouse proposes an alternative educational model that focuses on pursuing truth rather than money.

He makes his case convincingly. Sometimes, though, he is so committed to restating his thesis that Selling Out reads like a well-researched term paper. Even when recounting the dirty dealings of deans and business people-the stuff of spy novels-he fails to create a narrative arc that makes one want to keep reading. On occasion, Woodhouse might have been forced to sacrifice compelling prose for the sake of a watertight argument, but that he does so throughout the book is frustrating for the reader. It's a pity, as Woodhouse cares deeply about his subject, and has covered it thoroughly.

But readers should not let Woodhouse's overly academic approach turn them off his ideas. His point of view is important for anyone who values the acquisition of knowledge. By letting corporate interests oversee the education system, society stands to lose the possibility of properly engaging with ideas that are too abstract to interest the corporate world, as well as the honesty and freedom that should characterize higher education in the 21st century. As novelist J. M. Coetzee puts it: "If we can't trust the university, who can we trust?"

Eric Boodman is a Montreal writer, musician and student.



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