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Thirty-first Issue
Volume 13, No. 2
 

...letters

Re: Review Of the Riot That Never Was

Re: Review Of the Riot That Never Was, Response To James Jackson



features

Global Warring
By Michael Carbert

The Sentimentalists
By Claire Holden Rothman


fiction

Market Day
Reviewed by Lori Callaghan

Objects Of Worship
Reviewed by Vanessa Bonneau

The Jihadist
Reviewed by Correy Baldwin

Unwanted Hopeless Romantic Morons
Reviewed by Correy Baldwin

Wednesday Night At The End Of The World
Reviewed by Michael Varga


fiction at a glance

Josephine The Singer Or The Nation Of The Mice
Reviewed by Vanessa Bonneau


non-fiction

Afghanistan And Canada
Reviewed by Franc Gagnon

Encounters On The Passage: Inuit Meet The Explorers
Reviewed by Raquel Rivera

Growing With Canada: The Émigré Tradition In Canadian Music
Reviewed by Brian McMillan

Italy Revisited: Conversations With My Mother
Reviewed by Gina Roitman

Montreal Confidential
Reviewed by Dimitri Nasrallah

My Beloved Wager
Reviewed by Anna Leventhal

Selling Out
Reviewed by Eric Boodman

The Empire Within: Postcolonial Thought And Political Activism In Sixties Montreal
Reviewed by Eric Shragge

The Riot That Never Was: The Military Shooting Of Three Montrealers In 1832 And The Official Cover-up
Reviewed by Kate Forrest

Wild Geese: Buddhism In Canada
Reviewed by Sarah Fletcher


non-fiction at a glance

Every Goodbye Ain`t Gone: A Photo Narrative Of Black Heritage On Salt Spring Island
Reviewed by Mélanie Grondin

Paths Of Opportunity
Reviewed by Aparna Sanyal



poetry

Bhagavad Goalie
Reviewed by Ian McGillis

Blue Poppy
Reviewed by Dr. Bert Almon

Cast From Bells
Reviewed by Dr. Bert Almon

Pause For Breath
Reviewed by Dr. Bert Almon

Taproot Iv: Poetry, Prose And Images From The Eastern Townships
Reviewed by Mélanie Grondin

The Certainty Dream
Reviewed by Dr. Bert Almon

The Crow's Vow
Reviewed by Dr. Bert Almon



young readers

Camp Fossil Eyes
Reviewed by Andrea Belcham

Chester`s Masterpiece
Reviewed by Andrea Belcham

Here Comes The Bride
Reviewed by Andrea Belcham

Human Nature
Reviewed by Andrea Belcham

Somewhere In Blue
Reviewed by Andrea Belcham

The Archeolojesters
Reviewed by Andrea Belcham

Topsy-turvy Town
Reviewed by Andrea Belcham

When Stella Was Very, Very Small
Reviewed by Andrea Belcham




Montreal Confidential
Al Palmer
$12.00
paper 165 pp.
Véhicule Press ISBN 978-1-55065-260-4
non-fiction

Montreal Confidential
Tray Toters and Stupor Suds

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New Document Montreal Confidential was first published in 1950, at the height of this city's rip-roaring years as an after-dark playground for music, booze, and organized crime. A tell-all confessional written by police and entertainment reporter Al Palmer, this how-to guide to the city's demons and demigods was a product of "Man About Town" and "Cabaret Circuit," popular columns he had been writing for the Montreal Herald, and a precursor of the work he would continue with the widely read Gazette column "Our Town."

According to William Weintraub, who writes an appreciation for this Véhicule reissue, Palmer was a star, "a man who knew all of Montreal's secrets." He was also a harbinger of what has become a tradition among Montreal writers of a certain strain - Joe Fiorito and Bill Brownstein come to mind - journalists who've used their local newspaper beats as springboards to tackle the unique characteristics of Montreal in book form. Palmer also published a pulp novel - Sugar Puss on Dorchester Street, which now commands as much as $89 on the collector's circuit. His journalism archives at Concordia University show that he regularly wrote for the papers up to his death in 1971.

It's not hard to see where the attraction lay in bringing this book, sixty years later, to new generations of readers. Reading Montreal Confidential is like exhuming a long-lost neighbourhood within the city you thought you knew. For the most part, Palmer's Montreal no longer exists. The street names have been changed in part to accommodate a different cultural history, and the pleasure arena of fancy nightclubs and eateries that was once St. Kit's (as St. Catherine Street was known to Anglo locals) has been pushed to the edges of downtown by office buildings and brand-name stores.

There is a strong procedural aspect to Palmer's writing, and, among other things, the approach reveals a period-specific code of interaction that would be unfamiliar to Montrealers today. Palmer will tell you in great detail (and tell is the operative verb here; this book is littered with blunt dos and don'ts) where to take a date, depending on how much money you have to spend, and how much to tip all levels of restaurant and nightclub staff. If you're a girl moving to Montreal, he'll tell you where to stay on your first night in town, and where to go afterwards. If you're looking for beer, Palmer's got advice on that as well.

When Palmer's colourful period slang soars - waiters are "tray toters who served the stupor suds"; World War II is the "Late Hate" - his habit of telling readers what to do can feel like a bona fide insider's view of the big town. There are more than a few occasions, however, on which Palmer spends pages painstakingly documenting, say, the careers of various headwaiters across the city, and one has to wonder if this degree of detail would have been advisable even when the book was first published.

Either way, Palmer certainly knew this town inside and out, and Montreal Confidential is an amusing and frequently intriguing snapshot of a time when Anglos had a stronger foothold in the city's business community and nightlife. Véhicule Press' venture into reissuing Montreal's cultural history ought to be applauded. Palmer, after all, belongs to the lineage of writers who currently fill this city with words, and one would hope that the regional independents would take even greater interest in reissuing the works of more long-gone local talents.

Dimitri Nasrallah is a novelist and music journalist.



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